Bayhouse by studio Rick Joy : Weekend place owes its calm presence to its highly crafted use of granite walls and slate roofs
By: Viladas, Pilar
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Publisher: New York BNP Media 2019Edition: Vol.207(4), April.Description: 94-99.Subject(s): Architect Works (AR-AW)Online resources: Click here :
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Architectural recordSummary: Since Rick Joy started his practice in Tucson, in 1993, he has been creating buildings that deftly balance modernist formal rigor with sensitivity to place. His houses have ranged from rammed-earth desert structures such as the Adobe Canyon house in Patagonia, Arizona (2005), to a Vermont farmhouse in Woodstock, a RECORD house (April 2009), where the shingled roof and side walls contrast with the stone shear walls at each end—a striking yet seamless blend of contemporary form, rich materials, and local tradition.
That approach is at the heart of his recent Bayhouse, a spacious single-story residence set on two acres of waterfront property in a small coastal town known for its picturesque charm. The clients, a mature couple, wanted a modern house, but the town favors traditional architecture for new buildings. “I knew that Rick would design something modern that would be a good neighbor,” the wife says. So Joy and his studio looked for cues in the historic houses of the Northeast, with their clapboard or shingled walls and pitched roofs that shed snow, but didn’t take them literally.
| Item type | Current location | Collection | Call number | Status | Date due | Barcode | Item holds |
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Articles Abstract Database
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School of Architecture Archieval Section | Reference | Not For Loan | 2018468 |
Since Rick Joy started his practice in Tucson, in 1993, he has been creating buildings that deftly balance modernist formal rigor with sensitivity to place. His houses have ranged from rammed-earth desert structures such as the Adobe Canyon house in Patagonia, Arizona (2005), to a Vermont farmhouse in Woodstock, a RECORD house (April 2009), where the shingled roof and side walls contrast with the stone shear walls at each end—a striking yet seamless blend of contemporary form, rich materials, and local tradition.
That approach is at the heart of his recent Bayhouse, a spacious single-story residence set on two acres of waterfront property in a small coastal town known for its picturesque charm. The clients, a mature couple, wanted a modern house, but the town favors traditional architecture for new buildings. “I knew that Rick would design something modern that would be a good neighbor,” the wife says. So Joy and his studio looked for cues in the historic houses of the Northeast, with their clapboard or shingled walls and pitched roofs that shed snow, but didn’t take them literally.
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